In this video we have a quick tip for you about using the free transform tool in Adobe Illustrator. The free transform tool isn’t as easy-to-use as you might think. There’s a trick to get images to distort, if you don’t know the trick the free transform tool behaves very differently.
Having grown up on the shores of Maui, Hawaii, Norm has always had a love for drawing. Since leaving the Islands’ beautiful beaches and landing in Oregon he went to college and received a degree in graphic design. Now living in Beaverton, Oregon, Norm has been working as a full-time graphic designer and illustrator for the last 12 years. He has spent countless hours perfecting his craft as a freelance illustrator working on several children’s books, a few video games and creating numerous educational products. His ability to draw has given him the chance to do the thing he truly loves — Create.
When I first started doing the Once Upon a Sketch Screen Casts I created a series of two videos about how I ink and color my drawings in Adobe Illustrator. Well, it’s been over a year since I created this set of videos so I thought I would share them again for those who haven’t seen them yet and even if you have seen them you might like a refresher. I just watched these videos again and learned things from myself that I had forgotten (which is really funny).
Some might ask why you would want to create inked looking vector lines in Illustrator when you could use another tool like Photoshop, Sketchbook Pro or Manga studio to get the same look. My answer to them would be, even though the two lines might look the same on the surface they are two very different things. The main difference between the two would be that vector lines are infinitely scalable and raster images are not. Example, a company hired me to design mascots to promote one of their programs, I created these characters using the same techniques shown in these videos and most were created at around 8.5in x 11in. With these images being created in a vector format it was no problem when the company asked me to create a billboard using the same artwork with no loss in quality when the images were blown up to about 600 times the size that they were created at. This would not have been the case if the images were created in the other programs. Now that you know why you would want to create this type of drawing, here are the two videos. The first is how to create inked looking lines in Illustrator and the second is how I fill in those lines using the Live Paint Tool.
The first video is about how I set up my brush tools in illustrator to get and inked looking vector line. I also use the blob brush tool to show you how to create a different type of line and describe the difference between the two tools. Continue reading
In this edition of the Once Upon a Sketch Quick Cast we discuss projects we’ve been working on, Wilson’s recent computer crash and our thoughts on the conversation we had with Terry Hemphill from Adobe. We also have a contest we’re doing on the Once Upon a Sketch website. For more information check out the link below.
Once Upon a Sketch Fan Contest
Submit a Guest Post to Once Upon a Sketch
Once Upon a Sketch Podcast Episode 5 – Conversation with Adobe about Creative Cloud
Last month on our podcast we had a roundtable conversation about Adobes new subscription model and it turns out that Adobe was listening. We got the chance to speak with Terry Hemphill a Senior Product Marketing Manager at Adobe. He heard our Conversation and approached us with the intent to speak with us about some of the confusion and concern regarding Creative Cloud. At first we were a little skeptical about speaking with a representative from Adobe. We were afraid that it might just be a long pitch for their products but we found Terry to be very open and honest with his answers. Before we spoke with Terry we put out a request for questions that, if you had the chance, would want to ask Adobe about creative cloud and we got a lot of great responses. Here are a few of the questions we asked him. Thanks for your input;
Why ONLY the subscription model rather than allowing for a perpetual license?
Why is the cloud subscription model better for me as a customer and as an illustrator?
What would you suggest young freelance artists or students do if they cannot afford to pay a monthly fee?
If you sign a one-year contract with Adobe and have to end it early what is the penalty?
If your customers are paying you month to month what incentive is there for you to upgrade your products competitively?
Has the outcry from the community at all affected Adobe’s plans for Creative Cloud?
We certainly got to ask him a lot more but those are just a handful of the questions we asked. Give a listen to the whole conversation to hear everything we talked about.
This month on the Once Upon a Sketch podcast we welcome around table of children’s book artists to discuss Adobe switching their software model. Donald Wu, Chris Jones and Mary Reaves Uhles join Wilson and I to give our thoughts and reactions to the Creative Cloud announcement. From how it affects small one person companies to is it worth it to make the move to the cloud. We try to figure out these questions.
Donald Wu –
Born in Hong Kong, Donald grew up in the San Francisco Bay Area after moving there as a child. Years of drawing doodles in school along with a love of comic books led him to study illustration at the California College of the Arts. While at school, Donald was introduced to many different mediums ranging from watercolors to acrylics. Although Donald started his career using traditional mediums, Donald has since made the transition to digital medium. Donald continues to reside and “doodle” in the San Francisco Bay Area. Website Agents website
Chris Jones –
I’m an illustrator with an expressive and humorous style that is fun and engaging. I’m equally comfortable working on picture books, or sequentially in comics/cartoons.Born near Toronto, Canada, and raised on comic books, red licorice, and Saturday morning cartoons, I’ve been drawing with a passion ever since I could hold a crayon!I’m a Graduate of the Ontario College of Art and Design, and a member of: the Society of Children’s Book Writers and Illustrators, and the Picture Book Artists Association. Website Twitter
Mary Reaves Uhles –
Mary Reaves Uhles has worked for over a decade creating art for children. Her pieces have been included in books and magazines around the world. Prior to beginning her career as a freelance illustrator, Mary worked as an animator on projects for Warner Brothers and Fisher-Price Interactive. To this day her work features a cinematic quality essential to bringing characters to life. Website Twitter
Norm Grock –
Norm Grock has been drawing since before he even learned to swim which is saying a lot considering he grew up in Hawaii. Since leaving the Islands’ beautiful beaches and landing in Oregon he went to college and received a degree in graphic design. Now living in Portland, Oregon, Norm spends countless hours perfecting his craft as a freelance illustrator working on several children’s books. With over 15 years in the children’s entertainment industry Norm would like to start working on his passions and create his own intellectual properties. Website Twitter
Wilson Williams, Jr –
I have been a professional commercial artist and designer for over thirteen years. My pens, pencils and wacom pen have been drawing and painting images from my imagination my entire life. My work is whimsical, fun and captures the measure of my spirit. Website Twitter
After a long hiatus the Once Upon a Sketch podcast is back and this month we are talking with web comic creator Mike Maihack about what made him the artist that he is today. From his earlier works on Cow & Buffaloto his latest work Cleopatra in Space that was recently signed to Scholastic! We discuss it all.
In this edition of the Once Upon a Sketch screen cast we show you how to use the live trace tool in Adobe Illustrator. In Adobe Illustrator CS two Adobe added a handy tool called the live trace tool which allows you to convert bitmap images into a vector based image very easily. Check out the video to learn how.
This month Norman Grock and Wilson Williams, Jr. interview Chris Lauria about his work in the field of Toy design. Chris is an amazing illustrator with a 20 year career in the toy industry. He started in 1991 and has worked with a several well-known brands like Star Wars, G.I. Joe, and The Simpsons just to name a few. Chris shares with us his beginnings in the toy industry and talks with us about his process for creating unique toy designs and illustrations. To find out more about Chris’s work visit his portfolio site. Please note that our podcasts are released on the first Monday of every month.