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Modbook Pro X on Kickstarter

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On July 30th, 2014 Axiotron, the company that will convert your Apple MacBook into a pen-based Mac Drawing tablet launched a KickStarter campaign to fund their new Apple tablet conversion project called the Modbook X. The Modbook X KickStarter is exactly what you might think Axiotron would be offering with their campaign. They are taking the latest retina display MacBooks and converting them into a pen-based tablet. Helping to fund this campaign will allow you to send in your own MacBook machines to Modbook for conversion at the starting price of $1999 or just buy a brand-new one from Modbook for $3999. Of course there are tons of other ways you can customize your Modbook using this campaign but that’s just two base prices. For this campaign to be funded Axiotron is looking for $150,000 to get this campaign off the ground. On the KickStarter page they say “Unleash your creativity with the most innovative and powerful pen tablet ever, the Mac-based 15.4-inch Retina display Modbook Pro X.” These new ModBooks will use the latest retina MacBook Pros released just a day before this KickStarter campaign. It’s almost like Axiotron knew that new retina MacBooks would be launching, Which they probably did. Axiotron has been granted permission by Apple to offer their parts & services since 2007.

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Other additions to the new Modbook model are; integrated Keybars on the rear of the device which gives you easy access to keyboard shortcuts. They’ve also added  2,048 pressure levels, pen tilt and rotate to their screens with the digitizer pen. A Keyboard Stand that acts as an easel and also acts as a cover for the tablet. So if you’ve been looking for a portable larger digital drawing solution you might want to give this KickStarter campaign look. But if you’re not entirely sure about converting your old MacBook or buying a $4000 drawing tablet you might want to give a look to the Wacom Cintiq companion. Read my review on this product here.

About the author

  • Norm GrockNORM GROCKContributor, Founder

    Having grown up on the shores of Maui, Hawaii, Norm has always had a love for drawing. Since leaving the Islands’ beautiful beaches and landing in Oregon he went to college and received a degree in graphic design. Now living in Beaverton, Oregon, Norm has been working as a full-time graphic designer and illustrator for the last 12 years. He has spent countless hours perfecting his craft as a freelance illustrator working on several children’s books, a few video games and creating numerous educational products. His ability to draw has given him the chance to do the thing he truly loves — Create.

Going Digital

When I talk with other artists, one thing people seem interested in is my experience transitioning from being a traditional artist to working digitally, and any tips I might have for other who also want to make the switch.  The most important thing to remember for artists who want to go digital is that you are switching your medium, and just like if you were to decide to transition from watercolor to sculpted clay, there is going to be a learning curve.  This post covers the basics that traditional artists who are considering transitioning to a digital medium should know.

Why Go Digital?

Attracting new clients.  There are some clients who specifically want artwork layered.  This is only possible in digital programs.

Evolving your style.  As with any new medium, going digital opens up the opportunity to use new techniques and tools to create a new style and take your artwork in a new direction.

Changing your work process.  When I painted with watercolors, it was important that colors be applied in a certain way at a certain time, and so I needed a large block of time in which to work.  When I became a working mother with a baby, I hardly ever had a few hours straight to paint.  Going digital allowed me to work in smaller blocks of time – 10 minutes, 30 minutes….whatever the baby would give me.  I could work, save the file, and then come back to the piece at the next available opportunity.  There is also something to be said for not having to use up valuable time stretching paper or color-correcting scanned artwork.

The Tools

TabletsPick your pen & paper.  While it is possible to illustrate with a mouse or trackball, the majority of digital artists prefer to use a tablet and stylus.  There are two general varieties.   Tablets like the Wacom Intuos are like a mousepad that sits in your lap.  As you move the stylus across the pressure-sensitive pad, the cursor will draw corresponding marks on your main monitor.  This is an affordable option for those who want to try their hand at digital art to see if the medium is a good fit for their art.  These types of tablets are also nice for artist who may want to work primarily traditionally, but want to make edits/touch ups to their artwork digitally before sending to a client.  There are also tablets that allow the artist to draw directly  on the monitor/screen.  Ipads and similar tablets can be used in this way, but the most elite option for this type of tablet is the Wacom Cintiq.  This tablet, though expensive, is a highly pressure-sensitive monitor that sits in your lap or on the desk, allowing the artist to paint directly onto the screen in a very natural manner.  For those who want a more mobile option, Wacom released it’s Companion model last year, which is a combination Cintiq-laptop.

Pick your program.  There are lots of programs out there to use for digital art, but the most popular are Adobe Photoshop, Adobe Illustrator, and Corel Painter.  Illustrator specializes in creating vecctor artwork, which is typically flat or gradated color, very graphic looking, and capable of being up or down dramatically without affecting image clarity.  Painter is a tool for those who want to create realistic painterly illustrations that mimic oil paints, chalk, pastels and other traditional media.  Photoshop allows for painting with a variety of brushes for different effects as well as image/photo editing capabilities.

Time to Learn

Traditional artists, particularly those not accustomed to scanning their own artwork, may find that they need to brush up on some technical knowledge.   For example, digital artists must know what file format the final images should be delivered in.  It is common for clients to want CMYK (color profile) 300 DPI (resolution) Tiff (file format) files.  However, some clients may have other preferences, and the digital artist should know how to set up their image to reflect these preferences before they start painting.  Digital artists also know that the colors on their monitor may not be trustworthy for print-correct-colors.  It is helpful to preview your artwork on a variety of monitors to look for any colors or values that are not reading correctly, or to compare the colors on your monitor to a Pantone color swatch book.  The digital artist must also understand file size, and be able to store and deliver large files in a way that is not inconvenient to the client.  It is not uncommon for a layered working Photoshop file to be over 300 MB in size.  Most email inbox can only take up to 100 MB total, so email is not a good way to deliver many 300 MB files to a client.  Luckily, there are lots of online file sharing services, such as Dropbox, that can help the digital artist get his/her artwork to the client.  Some of these services are free, and some are not.  Other artists have personal FTP sites related to their personal websites to deliver files to a client. Before promising digital art to a client, it is important to understand file formats and specifications, and to have a reliable method for artwork delivery.

Time to Explore

As with any new medium, an artist cannot master it overnight.  Some techniques that worked for the artist traditionally will carry over to the computer environment easily, and some will not.  And just like every oil painter works differently to create the style that he/she wants, the same is true for digital artist.  Every digital art program has brushes and settings that can be used to achieve different looks, and it will take time for the new digital artist to find the tools and techniques that are right for his/her own artistic method.  After talking to a variety of artists who made the switch, you can expect about 6 months of practice and exploration before finding your digital style and being proficient enough at it to execute an illustration project on a deadline.  Youtube has lots of great videos of artists working digitally and sharing their work method.  These resources can be great sources of inspiration for those who need a little help learning the many techniques available for constructing  digital art.

Time to Change?

While many new digital artists try to identify techniques and tools that will allow them to duplicate their traditional style on the computer screen, it can be an unexpected pleasure to find that changing mediums can also change and evolve your illustration style.   For me  experimentation has been the best part of working digitally. With watercolor, I was always playing it safe, particularly with colors, because one wrong brush stroke could ruin hours of work. However, in Photoshop, I am able to try out colors, lighting and textures on separate layers without risking losing hours of work. By having the freedom to explore, I have been able to diversify my colors, create more engaging compositions, and add scanned textures and patterns.  I also found myself eventually gravitating towards more textured brushes, giving some areas of my artwork the look of chalk pastels rather than paint.  This enabled me to achieve color layering and depth that I was unable to achieve through traditional means.  Once I let go and stopped trying to get my new medium to behave like watercolor, I became open to using new color application techniques that eventually took my artwork to a more satisfying place.  The image below shows one of my last watercolor images, my first successful digital illustration, and my current digital style.

DigitalArtProgressionI hope all artists who are thinking about making the switch to digital enjoy the process of learning a new medium and seeing where it takes their artwork!  Happy illustrating!

About the author

  • Jennifer ZivoinJENNIFER ZIVOINContributor

    Jennifer Zivoin has always loved art and storytelling, so becoming a children's book illustrator was a natural career path. Most of her illustrations are painted digitally, though she draws inspiration from traditional media. In addition to artwork, Jennifer enjoys reading, cooking, and ballroom dancing - especially tango! She lives in Indiana with her husband and daughter.

Adobe’s Creative Cloud 2014 Update Part 2 – Software

Last year Adobe did away with their popular Creative Suite traditional software sales model and change there model to a subscription service. Well it’s been about a year and now Adobe is updating their Creative Cloud offerings for 2014. When Creative Cloud was first released Adobe promised a trickle of releases to their software throughout the year. Well on June 18 2014 Adobe open the floodgates and dropped a ton of new releases on the creative community. On Monday (July 14 2014) we discussed all of Adobe’s new mobile offerings. Well, today we are going to be taking a look at their updates to their Desktop software for 2014. We are only going to focus on software that relates to illustrators, so sorry all of you After Effects, Dreamweaver, and Muse fans. Let’s get into it.

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The first update is to their naming structure. Instead of just calling the entire service Creative Cloud they are now adding a year to each update. This year’s update is Adobe Creative Cloud 2014. While we’re talking about small incremental additions to the CC service Adobe has also announced the Creative Cloud Market. Think stock image library. On the Creative Cloud blog they called it “a collection of high-quality, curated assets for creatives by creatives. Now you can access a remarkable selection of vector graphics, icons, patterns, UI Kits, for-placement images, and more from your Creative Cloud Desktop app—all part of your subscription to Creative Cloud.” In my opinion it’s an interesting idea but we’ll have to see how the library grows with time but if you’re already paying for the CC service it can’t hurt to check it out.

Now on to the design software. All of the revisions to Adobe software lineup have added improvements to the design work flow and a performance boosts. All the new updates to Adobe Creative Cloud are available to existing CC subscribers for free and individual Creative Cloud memberships start at $49.99 per month for new customers, $29.99 per month if you own a previous version of the Adobe creative suite CS3 or higher (for the first year), and $19.99 for students. Your subscription profile has also been improved with better syncing between desktop apps and mobile apps as well as including stored files, photos, fonts, and preferences allowing your files to be seamlessly shared between applications. Adobe says of these new features “The new CC desktop apps, mobile apps, and hardware are tightly integrated through Creative Cloud services. This integration helps liberate the creative process by enabling users to access and manage everything that makes up their creative profile — their files, photos, fonts, colors, community and more — from wherever they work.” So what updates have been made to the software?

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Adobe Photoshop CC 2014 – This new version of Photoshop seems to be more of an incremental update as opposed to the big release of last year. Photoshop is now on it’s 15th iteration so it’s more feature polish less innovation but altogether it seems like a welcome update. Whats new for 2014? Most of these additions will help out photographers not as much illustrators but let’s go through them anyway because some of them are pretty cool.

The stand out to me is a new feature called Focus Mask. Photoshop will now help you start a mask by automatically selecting the in-focus areas of your image. Focus Mask works great with portraits and other images that have shallow depth of field. Next Adobe adds to their filters with 2 new Blur motion effects. Use Path Blur to add blur along any path and Spin Blur to create circular or elliptical blurs that will help add a sense of motion to your images. Photoshop has also added improvements to content aware fill. They’ve also added a feature to Photoshop that InDesign has had for a while called Smart Guides. Smart Guides is a handy tool that shows you the positioning between elements in relationship to each other.

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Adobe Illustrator CC 2014 – What does Illustrator CC 2014 have to offer for your monthly subscription Fee? Like Photoshop the additions to the new illustrator seem to be just more refinement. Adobe has cleaned up how the Pen Tool works so now as you draw your a line it will give you a preview of how the final shape will look before you commit. Another welcome addition is how Typekit helps your workflow with missing fonts. Now when you open a file that doesn’t have a font installed Illustrator will reach out to Typekit, download the font and install it on your computer making it available for all other applications. Lastly and maybe most importantly, they’ve added Live Shapes to Illustrator. You can now quickly modify rectangle corners, with independent control over each corner’s radius. You can scale and rotate rectangles, and Illustrator remembers your work— so you can quickly return to your original shape.

Adobe InDesign CC 2014 – What’s new? Honestly it doesn’t seem like very much over its predecessor but what they have done is improved the EPUB export features and honestly this one might be the most exciting for children’s book illustrators. Adobe’s site says about this new feature “Make interactive EPUB books with live text—such as children’s books, cookbooks, travel books, and textbooks—that are rich with illustrations, photos, audio, or animations. Layout and design remain fixed no matter the screen size.” They’ve added a few other minor additions like better tabs, and color groups but the EPUB of enhancements are, by far, the standout for me.

There you have it all the new additions to Creative Cloud 2014. If you didn’t read our first article about their new mobile offerings you can check it out here. If there’s anything you saw from Adobe that you thought stood out and we didn’t cover it please let us know about it in the comments.

About the author

  • Norm GrockNORM GROCKContributor, Founder

    Having grown up on the shores of Maui, Hawaii, Norm has always had a love for drawing. Since leaving the Islands’ beautiful beaches and landing in Oregon he went to college and received a degree in graphic design. Now living in Beaverton, Oregon, Norm has been working as a full-time graphic designer and illustrator for the last 12 years. He has spent countless hours perfecting his craft as a freelance illustrator working on several children’s books, a few video games and creating numerous educational products. His ability to draw has given him the chance to do the thing he truly loves — Create.

Adobe’s Creative Cloud 2014 Update Part 1 – Mobile

In 2013 Adobe released their Creative Cloud service switching from a traditional software sales model to a subscription based service. This switch did away with the much beloved Creative Suite software bundle which included Photoshop, Illustrator, Indesign, and many more applications.  At first consumers were unsure of this change to their favorite creative products but Adobe has stuck to their guns and on June 18th 2014 released a large update to their software-as-a-service offerings as well as a few surprises. On Wednesday (July 16, 2014) we will be going over the desktop software revisions but today we have a quick rundown of all the Mobile software updates Adobe has released.

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First off and most interestingly Adobe has released hardware. The company that’s most known for their software has just released a new line of products to help your creative endeavors. Adobe Ink is a new digital pen that connects to Creative Cloud. Adobe’s fine-tipped, pressure sensitive pen is a three-sided hydro-formed aluminum stylus for iPad version 4+ or better running iOS 7. They described it as “lightweight and balanced for a comfortable grip.” The second piece of hardware is a digital ruler that works in tandem with Ink. Adobe Slide was created to enable precision sketches and lines. Again to use Slide you’ll need an iPad version 4+ that’s running the latest version of Apples mobile software, iOS7. Slide works by setting the digital ruler down on the iPad then the ruler marks will appear on screen. As you draw with Ink your digital lines will snap to guides giving you a perfect line. Ink and Slide come as a pair for $199.99. It’s seems like a steep price for something that is not integral to the creative process at this point but Michael Gough, Adobe’s experience design lead, disagrees saying “Sooner or later, the mouse and keyboard aren’t going to be enough,” and ”We’re trying to prepare ourselves.” It seems like with these new products Adobe is making a future play for when artists no longer use laptops and desktop computers and only do their work on tablets. Only time will tell. What makes this pair better then other styluses? It pairs with Creative Cloud so all your settings will be saved allowing you to start working on one iPad and switch to another and continue seamlessly between the two. The nice part is you don’t need to pay for a creative cloud subscription to use the pairing options. As of now Adobe Ink and slide only work with two Adobe iPad apps (Adobe Sketch and Adobe Line) but I’m sure more support is coming. If you’d like to read someone’s thoughts that have had hands on with these products check out this article from The Verge.

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Speaking of software that these products work with, lets switch gears to the five new mobile applications. On a blog post on Adobe site they say “These are incredibly powerful apps that start to bring the functionality you get from desktop apps, to mobile.” How is Adobe going to accomplish this? Well, these new apps will have the ability to upload some of the more processor intensive functions to Adobe servers and do the hard work there. Let’s take a look at these five new free apps from Adobe (these descriptions all come directly from Apple’s app store.)

Adobe Sketch – Adobe Sketch brings inspiration, drawing, and your creative community together in one place. Capture your ideas as sketches and share them on Behance for instant feedback. Sketch gives you the freedom to find inspiration, explore ideas, and get feedback from trusted peers—wherever you are.
Grab Adobe Sketch from the app store here

Adobe Line – A modern approach to drawing and drafting, Line lets you draw straight lines, geometric shapes, perspective views, and more. Adobe Line reimagines traditional drawing tools like rulers, T-squares and shape templates for the mobile world.
Grab Adobe Line from the app store here

Adobe Photoshop Mix – Combine the power of Adobe Photoshop software with the convenience of mobile for a creative, easy-to-use photo editing experience on your iPad (see recommended devices below). Non-destructive photo enhancements, selections, the ability to cut out and mix images, and more; plus a Creative Cloud connected workflow for even more creative possibilities.
Grab Adobe Photoshop Mix from the app store here

Adobe Creative Cloud – Adobe Creative Cloud for iPhone and iPad: Your work, your inspiration, your creativity, with you wherever you go. Part of your free membership, this app connects your mobile devices to the Creative Cloud and unlocks new tools in your favorite apps. It also allows you to browse and preview your PSD, AI and other design files stored in the cloud.
Grab Adobe Creative Cloud from the app store here

Adobe Kuler – Adobe Kuler is a fun and simple way to capture inspiring color combinations wherever you see them. Simply point the iPhone camera at something colorful and Kuler will instantly extract a series of colors.You can share your themes with friends through Facebook, Twitter or email. You can also share the image that inspired the theme. And Adobe Creative Cloud members will find their Kuler themes instantly available in the Kuler panel in Adobe Illustrator CC or Adobe Ideas. You can also sync your color themes to the Kuler website where you can download the swatches for use in other Adobe products.
Grab Adobe Kuler from the app store here

There you have it, the rundown of Adobes 2014 products and mobile offerings. Check back for part 2 on Wednesday (July 16, 2014) where we look at the updates to their desktop software.

About the author

  • Norm GrockNORM GROCKContributor, Founder

    Having grown up on the shores of Maui, Hawaii, Norm has always had a love for drawing. Since leaving the Islands’ beautiful beaches and landing in Oregon he went to college and received a degree in graphic design. Now living in Beaverton, Oregon, Norm has been working as a full-time graphic designer and illustrator for the last 12 years. He has spent countless hours perfecting his craft as a freelance illustrator working on several children’s books, a few video games and creating numerous educational products. His ability to draw has given him the chance to do the thing he truly loves — Create.

What is Adobe Configurator?

Did you know Adobe makes a program that lets you make your own custom panels/palettes for Photoshop and in design? Well not many people do, so lets talk a little bit about Adobe Configurator. Adobe Labs offers the free utility for Mac or PC and give it a try, but if you’d like to learn more continue reading.

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If you want to make a panel with all your favorite drawing tools like the brush tool, gradient tool, smudge tool, eyedropper tool and, a few of your favorite actions you totally can with absolutely no knowledge of coding. The above image was created in about five minutes and has all the Photoshop tools and commands I frequently use. It was super easy to create a custom panel and export to Photoshop CS6 or Creative Cloud (InDesign only supports CS6). Configurator made it easy to drag and drop tools, menu items, scripts, actions and other objects you might want quick access to in your own panel design.

How do you make your own panels/palettes? Honestly I’m still learning the software myself so I thought I would share a YouTube video from people with a bit more knowledge then I. The video below is from the previous version of Configurator but I think the fundamentals are the same.

 

Source: http://labs.adobe.com/technologies/configurator/

About the author

  • Norm GrockNORM GROCKContributor, Founder

    Having grown up on the shores of Maui, Hawaii, Norm has always had a love for drawing. Since leaving the Islands’ beautiful beaches and landing in Oregon he went to college and received a degree in graphic design. Now living in Beaverton, Oregon, Norm has been working as a full-time graphic designer and illustrator for the last 12 years. He has spent countless hours perfecting his craft as a freelance illustrator working on several children’s books, a few video games and creating numerous educational products. His ability to draw has given him the chance to do the thing he truly loves — Create.

Photoshop Fireworks for the Fourth


For the Fourth of July I thought it would be fun to show you how to create some fireworks in Photoshop. There’s a ton of different ways to make fireworks but here’s a few tricks and filters you can use to create some quick digital fireworks. Watch the above video for the entire process of how I created the fireworks you see below. Have a happy and safe Fourth.

4thfirework001

About the author

  • Norm GrockNORM GROCKContributor, Founder

    Having grown up on the shores of Maui, Hawaii, Norm has always had a love for drawing. Since leaving the Islands’ beautiful beaches and landing in Oregon he went to college and received a degree in graphic design. Now living in Beaverton, Oregon, Norm has been working as a full-time graphic designer and illustrator for the last 12 years. He has spent countless hours perfecting his craft as a freelance illustrator working on several children’s books, a few video games and creating numerous educational products. His ability to draw has given him the chance to do the thing he truly loves — Create.

World’s First Color Picking Pen

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What the what? A pen that’s a color picker, like in PhotoShop? Well that’s what the Scribble pen is promising it can do. Select a color from real-life and start drawing with that same color on paper or a mobile device. It’s a pretty amazing idea. “The Scribble color picker pen will make copying an exact color, any color from any object, an absolute breeze.” “With Scribble you can scan, match or compare colors, draw on paper or your mobile device.” reads the company’s press release.Scribblepen002The pen uses an advanced color sensor and bright led lights to illuminate and capture colors from any object around you. Then a microprocessor takes the picked color and mixes the ink for drawing. Can this be real? I would love to say yes, but we don’t have much more to go off of then a website and a press release at this point. There’s not a video out there of this new wonder pen in action, so we’ll just have to wait and see when the Scribble pen’s expected Kickstarter launches on the 7th of July, 2014. Maybe we’ll get more on this product then. If you can’t wait until then visit the Scribbles pen’s website to sign up for an alert when more information is available.

About the author

  • Norm GrockNORM GROCKContributor, Founder

    Having grown up on the shores of Maui, Hawaii, Norm has always had a love for drawing. Since leaving the Islands’ beautiful beaches and landing in Oregon he went to college and received a degree in graphic design. Now living in Beaverton, Oregon, Norm has been working as a full-time graphic designer and illustrator for the last 12 years. He has spent countless hours perfecting his craft as a freelance illustrator working on several children’s books, a few video games and creating numerous educational products. His ability to draw has given him the chance to do the thing he truly loves — Create.

Video – Smartpen Draws on Paper and then Straight onto Smart Phone

I’m always on the lookout for cool new drawing technologies and this YouTube video of JungGi Kim drawing with the NEO1 Smartpen caught my eye and made me ask the question “how are they doing that?” Sorry, I’m a nerd about technology and I just need to know.

At the World IT Show last year NeoLAB Convergence, Inc. showed off a new user interface, or UI solution that converts a users’ handwritten notes or drawings into a series of 0 and 1 digital signals that are then uploaded to the screen of any smart phone, or tablet PC. The fountain pen-shaped Neo1 smart pen is nothing more than a ultra-tiny computer that talks to a special coded paper. So how does it work? Well, it starts with the special dot-coded paper, or notebook, which is printed with a lot of ultra-tiny dots. Each of the dots is assigned a coordinate. The user starts writing or drawing with the Neo1 smart pen on the special paper and the built-in optical IR sensor keeps track of what the pen writes down and analyzes the coordinates. Then immediately uploads the information to the smart phone, or tablet. It sounds so simple, if I was from the future.

About the author

  • Norm GrockNORM GROCKContributor, Founder

    Having grown up on the shores of Maui, Hawaii, Norm has always had a love for drawing. Since leaving the Islands’ beautiful beaches and landing in Oregon he went to college and received a degree in graphic design. Now living in Beaverton, Oregon, Norm has been working as a full-time graphic designer and illustrator for the last 12 years. He has spent countless hours perfecting his craft as a freelance illustrator working on several children’s books, a few video games and creating numerous educational products. His ability to draw has given him the chance to do the thing he truly loves — Create.

Managing your image files with Adobe Bridge

For those who use the Adobe Suite in their workflow, you may have had Adobe Bridge when it came bundled with Photoshop but never bothered to use it. Or rather, opened it by mistake when attempting to open a new Photoshop file, and then quickly closed it again. I had always thought it was a tool made for photographers, but I recently decided to give it a try, and I’ve found it so helpful for my workflow that it’s now the first application I open when starting my day. If you’re not currently using Bridge, here’s a quick summary of the features that make it a great tool for illustrators to view and manage images:

  • When working on projects (such as picture books or graphic novels) with a large number of image files, Bridge can make it a whole lot easier to compare them all together to check for things like the color scheme across the series, pacing, or consistency of any little details. And, you can easily open any image type in its native application directly from Bridge if you need to make a quick correction. You can even open multiple files at once. Once you make your correction and save the file, it’s view is automatically updated in Bridge
  • You can get thumbnail previews of pretty much any image type (.PSD, .AI, Cam RAW, PDFs, Indesign files, Videos) that normally windows explorer or the file viewer on mac will not generate previews for
  • It’s great when viewing large groups of images – where a quick drag of the zoom bar will increase or decrease the thumbnail sizes, allowing you to customize your view and see all your images as a whole, or zoom in to check details on a smaller group of images
  • The Path bar is a great tool, and with it you can quickly and easily get to the folders and files you need. Right-clicking on a folder will show you all sub-folders within

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The path bar at the top of the Bridge window is a really convenient and quick way to get to your files. It has a lot of nice functionality that makes it super quick to use (see it in action in the video links at the end of this post)

  • When viewing files you also have the option to view multiple sub folders at the same time (this can be really helpful if you have groups of imagesfor a project in different sub folders you want to compare or preview all together)
  • You can easily drag thumbnails around to reorder them any way you like, or sort them based on any number of preferences (filename, date, color profile, label, rating, keywords). This can be helpful if you are comparing a group of images and want to place them next to each other
  • The Output view lets you quickly and easily batch create PDFs, contact sheets, or web galleries for groups of images directly from Bridge. This is a really nice feature if you need to prepare an archive of a group of images for client viewing

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There are many viewing options, and the Output view is really handy for batch exporting groups of images

  • If outputting a group of images or even various file types for a job, it’s very easy within Bridge to check the color profile for all the files to make sure they are the same (this is very important when sending files for printing)

 

To get a feel for the interface and see some of the very useful features in action, check out this quick video tour by Martin Perhiniak on Tuts+ http://design.tutsplus.com/tutorials/top-10-reasons-you-should-be-using-adobe-bridge–psd-17633

Here’s another great video covering the basics of the Bridge interface on lynda.com – https://www.youtube.com/watch?v=2Xmf0ph5T_g

 

Adobe Illustrator Tip – The Free Transform Tool

In this video we have a quick tip for you about using the free transform tool in Adobe Illustrator. The free transform tool isn’t as easy-to-use as you might think. There’s a trick to get images to distort, if you don’t know the trick the free transform tool behaves very differently.

About the author

  • Norm GrockNORM GROCKContributor, Founder

    Having grown up on the shores of Maui, Hawaii, Norm has always had a love for drawing. Since leaving the Islands’ beautiful beaches and landing in Oregon he went to college and received a degree in graphic design. Now living in Beaverton, Oregon, Norm has been working as a full-time graphic designer and illustrator for the last 12 years. He has spent countless hours perfecting his craft as a freelance illustrator working on several children’s books, a few video games and creating numerous educational products. His ability to draw has given him the chance to do the thing he truly loves — Create.

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