menu
Archives

Guest Post-Will Terry-What to include in your Children’s Book Portfolio

guestpost

Will Terry drops in again to give his advice on what should be in your portfolio. Check it out and enjoy!

In this video I give a list of items I feel every children’s book illustrator should have in their portfolio. Art Directors and Editors are afraid to hire the wrong artist so make sure you’re covering all the most important items. If you can think like an editor you’ll be much more equipped to show them what they want to see.

Original post here.

Color Theory with Marc Brunet-Part 2

_Land_of_the_Sun__by_Bluefley

I love watching tutorials and seeing how other artists approach their work. It’s always eye opening to see or hear another artists thoughts on how they approach composition, character design, color theory and any number of art principles. So I was happy to find a new series of posts from Marc Brunet on Color Theory. He’s done about three videos at this point and plans on doing more. His technique is very different from mine and I’m anxious to apply some of his process to my work.

This is the second of his video series.

Watch along and enjoy!

Here’s a link to his first video.

Color Theory with Marc Brunet

_Grog__by_Bluefley

I love watching tutorials and seeing how other artists approach their work. It’s always eye opening to see or hear another artists thoughts on how they approach composition, character design, color theory and any number of art principles. So I was happy to find a new series of posts from Marc Brunet on Color Theory. He’s done about three videos at this point and plans on doing more. His technique is very different from mine and I’m anxious to apply some of his process to my work.

Watch along and enjoy! I’ll be presenting the rest of his videos on the blog at later dates!

Boots and feet coverings tutorial!-Part Two

stayinspired

Hands, feet and even shoes can be a challenge for me. So when I find a great tutorial that sheds some light on how others approach this I feel obligated to pass it along to our readers!

Here’s part two of the tutorial by RadenWa from DeviantArt on drawing boots. Great stuff!

Please note this tutorial is LONG! Below is just a small part of it. The rest of the image is after the jump!

Enjoy!

If you missed Part One you can find it here.

wa__s_boot_anatomy_tutorial_pt2_web_1

Continue reading

Boots and feet coverings tutorial!-Part One

stayinspired

Hands, feet and even shoes can be a challenge for me. So when I find a great tutorial that sheds some light on how others approach this I feel obligated to pass it along to our readers!

So I ran across a two part tutorial by RadenWa from DeviantArt on drawing boots. Great stuff! Time for me to find an excuse to draw characters with boots on! Enjoy! I’ll be posting Part Two soon! (Yes, this just part one!)

wa__s_boot_anatomy_tutorial_pt1_by_radenwa-d3k8u2z

Reminder- 2014 Children’s Writer’s and Illustrator’s Market Pre-Order

If you are serious about breaking into the Children’s Book Industry there’s a book that comes out yearly that you definitely need to add to your library. The Children’s Writer’s and Illustrator’s Market.

The new 2014 Edition will be released in September so be sure to pre-purchase it.

2104CWIM

So, why should you pick this book up? Why is it “Essential”?

Every year this series of books does a fantastic job of listing and categorizing multiple publishers, magazines and agents that have some level of involvement in the Children’s Market.

They go through contact information, the markets that the publisher specializes in, their submission requirements, the number of projects, writer and illustrators that they work with on a yearly basis as well as their payment terms.

Also included are a number of articles from other professionals that give tips, tricks and experiences within the industry.

This book is a great and inexpensive starting place for anyone looking to break into the industry. This book is essential to creating your first mailing list and determining the proper way to approach each publisher you are considering. If you have a mailing list established, this book is a great way to update your mailing lists with new publishers and update contact info for older ones.

So don’t forget to hop onto Amazon and reserve your copy now! Or drop by your local library to check out older issues that may be available to get an idea of the series before purchasing!

This book will also be included in the prize offerings of our fan contest! Check here for info about the contest and to make sure you qualify for consideration!

25 Things They Ought to Teach in Art School??

sketchcraft_minicast__035_by_robduenas-d6d8mw3

I was listening to a podcast by illustrator Rob Duenas recently that went into a few of the things that he felt an art school education lacked. He listed a number of things that would definitely be beneficial to know but many I also feel you have to learn on the fly. Some things just can’t be taught in a class and require you to have life experience for the lessons to be taught. Overall the podcast is funny, informative and a little angry. LOL! Which is understandable considering the types of things Mr.Duenas deals with on a consistent basis. After doing this blog I have a new appreciation for some of his frustration. Here’s a link to his podcast.

Be forewarned he is frank and unapologetic in his use of language. So if you have sensitive ears. Pass on this one!

So if we were to make our own list, what would be on your top 25 list?

Now it has been a long time since I have been in art school and I admit that there are elements of what we do that I wish was covered while I was in attendance. But things have changed. I’m sure many schools have adjusted their curriculum to better suit the needs an art student will have upon graduating. (Or at least I hope so.)
My list would begin with the following;

  1. Marketing and Self Promotion.
  2. Copyright Law and the best ways to protect your work.
  3. Creating Contracts and how to read and understand them.
  4. The steps needed to create a Business (LLC) and open business bank accounts.
  5. How to pay taxes and use appropriate write offs based on your business.

This would be the start of my list. What would you put on yours?

For those more recently graduated what aspects are they covering now within my list that may not have been as relevant in the past when I graduated?

Guest Post-Will Terry- How Many Sketches Should You Send In?

guestpost

Today we feature a great article from Will Terry in regards to how many sketches to send. No he isn’t going to give you a number if that’s what you are looking for. He stresses the importance of sending ideas that you would enjoy painting. I for one can tell you that if you send a sketch to a client that you really don’t like, nine times out of ten THAT will be the sketch they pick and now you’re miserable while executing it. Lesson learned!

Enjoy the article!

willterrya

Back in my editorial days I was always coached to send in multiple sketches and ideas for the art director to choose from. Now that I’m a children’s book illustrator I’ve come to realize that sending in multiple sketches for one page is not often the best policy. The reason: I always like one better than the other(s) and often the editor or art director will pick the one I like the least. Then it’s a let down having to paint an image I’m not as happy with.

I just created the image above for a new book I’m working on “There Once Was a Cowpoke who swallowed an ant” by Helen Ketteman (Albert Whitman). My working process is to send in rough sketches for the direction I’m thinking of. Then I get feedback from the art director and editor. My goal is to make myself happy and then see if the team likes it. If they do then I move to a final drawing refining details and making any alterations asked for by the team.

willterry2

Sometimes they don’t like the direction at all and ask for a new idea -offering their suggestions. I love working this way. I’ve taken the time to explore many thumbnail sketches and ideas and I don’t want to share my rejected ideas just to offer more choice. Sometimes more choice just offers more confusion. Ever tried to order at restaurant with 100 menu items? You feel overwhelmed and start to think you’re going to miss something really good – so you spend more time reading the menu rather than visiting with the people you went to have a meal with.

I’m a big believer in working hard to develop a sketch you can’t wait to paint and then working with it until you and your team come to a consensus. I’ve taken the time to do a lot of editing in my development process and I choose NOT to share that with the creative team at the publisher.

willterry3

Original post is here. Be sure to visit Will Terry’s blog for more wonderful posts and information!

Guest Post-Will Terry-Do you need an Agent or Rep?

guestpost

So many people think that getting an agent/rep is the end all be all.  “If I get a rep then I know I will have made it and so much work will be thrown my way that I’ll have to turn stuff away!!”  Yeah I used to think that too.  So let’s get rid of that myth from the jump.

1. Getting a rep DOES NOT guarantee that you will get work!  It is not the promised land!

Norm and I both have reps and we still have to bust a lot of pavement to get work. We have to constantly promote and market ourselves. Having a rep is a great tool and asset. But it’s just one tool in your toolbox and should never be the ONLY tool in your toolbox.

There are multiple ways to get work within our market. So look into all your options. Get info from multiple sources before you make your decision. Use every possible resource  you can to your benefit. Maximize your opportunities.

In the following video Will Terry gives his opinions on whether an agent/rep is necessary. The answer to the question is, “No.” And truthfully they never have been. But Will goes into more detail about the current market and what it takes to be successful whether you have an agent or not. Enjoy, learn and as always, take notes!

Contest – Lee and Low Books New Voices Award Time to Submit

Lee and Low Books sponsors a yearly contest for up and coming Children’s Book writers of color, The New Voices Award.

About the Award

LEE & LOW BOOKS, award-winning publisher of children’s books, is pleased to announce the thirteenth annual NEW VOICES AWARD. The Award will be given for a children’s picture book manuscript by a writer of color. The Award winner receives a cash grant of $1000 and our standard publication contract, including our basic advance and royalties for a first time author. An Honor Award winner will receive a cash grant of $500.

Established in 2000, the New Voices Award encourages writers of color to submit their work to a publisher that takes pride in nurturing new talent. Past New Voices Award submissions that we have published include The Blue Roses, winner of the Paterson Prize for Books for Young People; Sixteen Years in Sixteen Seconds: The Sammy Lee Story, a Notable Social Studies Trade Book for Young People and a Texas Bluebonnet Masterlist selection; and Bird, an ALA Notable Children’s Book and a Cooperative Children’s Book Center “Choices” selection.

Manuscripts will be accepted from May 1, 2013, through September 30, 2013, and must be postmarked within that period.

For more information and to find out about past winners follow the link.

 

next page